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A musical play.
Book by Sheila Ruskin and David Wood.
Music & lyrics by David Wood.
Based on the verses and stories of Edward Lear. |
First
produced by the Worcester Repertory Company at the Swan Theatre,
Worcester for the Christmas 1968 season. Subsequently produced by
most repertory companies in the UK, and many amateur companies and
schools. Presented by WSG Productions Limited, the first London
performances of the play were at the Jeannetta Cochrane Theatre
or Christmas 1969. Many further Christmas West End season followed,
as well as national tours produced by Cameron Mackintosh and David
Wood, and Whirligig Theatre. There have been many foreign productions
of the play. An LP recording of the show was released by Philips,
featuring Harry Secombe, Roy Castle and Hattie Jacques.
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This
enchanting musical play, based on the verses and stories of
Edward Lear, tells of the quest of the Owl and the Pussycat
to find a ring and someone to marry them. During their adventures,
which takes them across the Syllabub Sea to Bong Tree Island
and the Turkey who lives on the hill, they meet a host of
delightful characters including the Quangle Wangle, the Dong
with a luminous nose, Professor Bosh, the Runcible Spoon,
the Jumblies – and the villainous, ever hungry Plum
Pudding Flea.
David
Wood writes : This was the play that really started it all!
Sheila Ruskin and I were acting in rep. in Worcester, when
we were asked to write the Christmas play. Sheila played the
Runcible Spoon. The play was directed by Mick Hughes, now
better known as a highly respected lighting designer. I have
written elsewhere about how I returned from acting in a season
in Manchester, saw ten performances of THE OWL AND THE PUSSYCAT
WENT TO SEE..., and was so knocked out by the experience that
I decided it would be my mission to get the play on in London.
This eventually happened, thanks to the help and collaboration
of many colleagues and friends. It also led to the publication
of the play by Samuel French Limited, who have kindly stayed
with me and published virtually everything I have written
ever since.

It
was particularly encouraging to see the Bristol Old Vic Theatre
School production at Christmas 2001. After more than thirty
years, the play, thanks to Edward Lear’s wonderful characters,
has not really dated at all. Having directed it many times
myself, but not for a couple of decades, I feel ready to revive
it once more!

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original production featured twelve actors, with some
doubling. Over the years there have been productions,
notably at the Octagon Theatre, Bolton, using fewer actors,
assisted by puppetry and clever doubling. |
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“This is
the freshest, jolliest, prettiest, funniest and cleverest
concoction that has hit London for many a long year
… this delicious load of nonsense ...” Evening
News

“…
true nonsense … as delightful to look at as to
listen to … brings out the real spirit of Edward
Lear.” Sunday Times
“We
all had a splendiferous time.” The Times
“…
a definite must for enlightened adults who choose carefully
what they like their children to see with them.”
The Stage
“…
a very charming and bright production and the children
responded vociferously.” Sunday Telegraph
“…
there are no current trends of ‘blueness’,
cheapness, blatancy or pop. Lear’s capacity for
mesmerising children is accepted and fastidiously embellished.”
Daily Telegraph
“The
best children’s show in town” The Guardian
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The
play and piano/vocal score are published by Samuel
French Ltd.
First Class Professional & Foreign Rights : Casarotto Ramsay
Ltd.
UK Repertory Rights : Samuel
French Ltd.
UK Amateur Rights : Samuel
French Ltd.
The play is included in David Wood : Plays Two (Methuen)
US Stock and Amateur Rights: Samuel French Inc.
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