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A musical play.
Book, music & lyrics by David Wood. |
FLIBBERTY
AND THE PENGUIN was first presented by the Worcester Repertory Company
for Christmas 1971/2 at the Swan Theatre, Worcester. The play has
become popular with amateur companies, and one speech is often used
by children in Speech and Drama exams. In 1978 the play was toured
by WSG Productions Limited, as a pilot tour for David Wood’s
touring children’s theatre company, which was launched under
the name Whirligig Theatre the following year. There have been several
successful productions in Finland.
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Young
Penguin has come from Iceland to find his Mother and Father.
This must be done before the spring weather becomes too warm.
He falls in with Flibberty, a genial goblin, who helps him
in his search. They incur the wrath of Krafty Kingfisher,
who accuses the Penguin of stealing a fish from him. On their
journey the two meet, among others, two Silly Cuckoos busy
practising their spring song, a helpful Bus Driver/Conductor,
and the famous Mr. Maestro who has come to town to conduct
a concert (he can only understand singing, not talking). Eventually
the parent penguins are discovered in the zoo. Flibberty and
Young Penguin manage to set them free, and to put Krafty Kingfisher
in their place. Everything ends well, even for Kingfisher,
as all the characters gather in the Concert Hall to join (with
the audience) in a song to spring.
David
Wood writes: I have always thought this play was somewhat
underrated! Influenced by Feydeau, I tried to introduce several
different themes and make them all converge in a series of
funny confrontations. I still like this play, even though
I haven’t seen a production for many years! Characters
like the Three-Headed Knowall, the Silly Cuckoos, Mr. Maestro
and his assistant, Master Ministrone are among my favourite
creations.
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original production employed twelve actors. Some of the
roles can be played by male or female performers. There
is some doubling. |
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“…ideal
entertainment for children of all ages with a strong
emphasis on audience participation… pleasing songs
… delightful characters… “It’s
been exciting, hasn’t it?” asks one of the
characters towards the end of the play. The affirmative
reply from the young audience almost took the roof off
the top of the theatre… thoroughly entertaining.”
Birmingham Evening Mail
“…
much inventiveness … at one point there is one
of the most sustained chases I have ever seen of each
other by most of the characters, resulting in a furious
frenzy of audience participation… very catchy
songs.” The Stage
“The
children, like me, were entranced by the closing transformation
scene on the first day of spring. This is breathtakingly
beautiful and also strangely moving.” Thurrock
Gazette
“…So
perfectly did the audience react … that one might
have thought their responses were part of the script”.
The Stage
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The
play and piano/vocal score are published by Samuel
French Ltd.
First Class Professional & Foreign Rights : Casarotto Ramsay
Ltd.
UK Repertory Rights : Samuel
French Ltd.
UK Amateur Rights : Samuel
French Ltd.
US Stock and Amateur Rights: Samuel French Inc.
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